Author: Splabman

Poet/interviewer Paul Nelson founded SPLAB & the Cascadia Poetry Festival, published: American Sentences (Apprentice House 2015); A Time Before Slaughter (Apprentice House, shortlisted for a 2010 Genius Award by The Stranger) and Organic in Cascadia: A Sequence of Energies (essay, Lumme Editions, Brazil, 2013). He’s interviewed Allen Ginsberg, Michael McClure, Sam Hamill, José Kozer, Robin Blaser, Nate Mackey, Joanne Kyger, George Bowering, Brenda Hillman and Daphne Marlatt, presented poetry/poetics in London, Brussels, Qinghai & Beijing, China, and published work in Golden Handcuffs Review, Zen Monster and Hambone. Awarded The Capilano Review’s 2014 Robin Blaser Award, he writes an American Sentence every day.

Registration is now open for CPF-2020

The 7th Cascadia Poetry Festival is happening May 1-3, 2020 at the Multiverse on San Juan Island. Registration is $50 for all events and available at Brown Paper Tickets. See: https://cpf-sji-2020.bpt.me/ This iteration of the fest will be more like a festival/hybrid retreat and participation will be limited to less than half of previous CPF events so that we can go deeper into these topics.

The main page for the 2020 fest is: http://cascadiapoetryfestival.org/cpf-sji-2020/ 85 year old Beat Nun Mary Norbert Körte from Willets, CA (extreme Southern Cascadia) is part of The Practice of Cascadia/The Practice of a Life panel and Miriam Nichols, Sharon Thesen and Daphne Marlatt are part of the panel looking at the life and legacy of Robin Blaser.

There will be many breakout sessions connected to both topics and one dedicated to the Island Marble Butterfly by Bill Yake:

The Island Marble Butterfly – A Cascadian Endemic and Inspiration (handouts)

Believed to be extinct until rediscovered at American Camp on San Juan Island in 1998, the Island Marble Butterfly is a true endemic – limited (as far as is known) to San Juan and Lopez Islands. One of the last colonies persists on National Park Service (NPS) land just a couple of miles from the Multiverse – site of the 2020 Cascadia Poetry Festival. Like us, its future is precarious. In this breakout session we plan to visit American Camp where NPS staff will show us how they are working to grow this the Island Marble colony by hand-raising butterflies from eggs, preserving their food plants, and improving their considerably abused habitat. It is not an easy task. We should also have some time to consider the role of butterflies and moths (ephemeral, evasive, and often pale) as they have inspired a range of poems and poets — including examples from Vladimir Nabokov, Robin Blaser, Jim Morrison, and several poets native to Cascadia. Participants should bring a notebook (Rite-in-the-Rain might be best given weather uncertainty), a pen/pencil, outdoor clothing and sturdy shoes. Binoculars and a camera might also be helpful. Facilitated by Bill Yake

Bios

CPF-SJI-2020

The next Cascadia Poetry Festival happens May 1-3, 2020, on San Juan Island, at the Multiverse. The Life and Legacy of Robin Blaser and The Practice of Cascadia/The Practice of Self will be organizing themes. This fest will be a hybrid retreat/festival and will happen at The Multiverse on San Juan Island. Scheduled presenters are subject to change, but at this time include Mary Norbert Körte, Miriam Nichols, Sharon Thesen, Barry McKinnon and others TBA.

CPF-Anacortes-2019 Video & Reviews

A last few reviews of the last Cascadia Poetry Festival are coming in to SPLAB HQ near the herons, osprey, swallows and hummingbirds and they are being posted on the fest website here: http://cascadiapoetryfestival.org/cpf-anacortes-2019-reviews/

Some highlights:

The Cascadia Poetry Festival is absolutely unique, offering both attention to local conditions (both social and geograpical/ecological), and to general matters of aesthetics (what poetry is up to right now–what matters to poets, and how are they responding to what matters). I know of few communities like this in the world – the other I am familiar with is in the UK: open, focused, exploratory, welcoming, democratic and engaged to its very core. The Cascadia Poetry Festival is a vital necessity.

– Stephen Collis

The festival programs consisted of readings and discussion panels by well-known, accomplished poets and writers who were colleagues, collaborators and friends of the late poet Sam Hamill. The connection with Sam was in fact the theme of the festival, but the festival discourse, especially the panels, took on a life of its own and developed into a series of heartfelt discussions about Zen, the strength and frailties of the human spirit and the nature of ones relationship with those whom we admire…

– Christopher Yohmei Blasdel

And here are some of the videos, captured and expertly edited by Leopoldo Seguel, with our huge gratitude:

 

See all fest videos here.

 

CPF-Anacortes 2019 May 9-12

Cascadia Poetry Festival-Anacortes 2019: A Tribute to Sam Hamill

See the schedule here.

The Cascadia Poetry Festival returns May 9-12, 2019, in Anacortes, Washington! All events except workshops will happen at the Croatian Cultural Center, 801 5th Street in Anacortes. Gold Passes are $25 and admit the holder to all events except Steve Kuusisto’s master workshop. The first 45 Gold Pass holders can also register for one of the free workshops. In addition to a tribute to Sam Hamill, poet, editor, translator and Co-Founder of Copper Canyon Press, there will be the launch of two anthologies, the Samthology for Sam Hamill and a bilingual poetry anthology in Spanish and English, Make It True meets Medusario. Among the scheduled poets are José Kozer (winner of the 2013 Neruda Award from the Chilean government), Washington State Poet Laureate Claudia Castro Luna, Copper Canyon Press co-founder William O’Daly, Shin Yu Pai, Stephen Collis, Tim McNulty, Stephen Kuusisto, Rebecca Seiferle, Ian Boyden, Lyn Coffin and Kent Johnson. There will be a shakuhachi flute performance by longtime Hamill collaborator Christopher Yohmei Blasdel. Gold passes admit you to all events except master workshops, are $25 & on sale.

Two Anthologies Launched at CPF

This year’s Cascadia Poetry Festival will feature the launch of TWO anthologies. One is a tribute to Sam, called the Samthology, with work in Spanish, French and English:

Introduction by Cate Gable
Drinking at Sundown by Alexis Bernaut
Buvant Au Couchant by Alexis Bernaut
學柯 Study The Axe Handle by Ian Boyden
samimmemorial by Lyn Coffin
Getting to Know Sam (and two other poems)by Leszek Chudziński
Letter from Boston by Michael Daley
Blasphemy by Martín Espada
Milosz and Hamill by Cate Gable
Coast Chronicles: Loose in Paris with a Fugitive Poet by Cate Gable
Paris, July 1, 2016: Letter to Sam by Cate Gable
The Next Garden by Kim Goldberg
Temple of the Word: What Sam Hamill Asked of Poetry by Shaun T. Griffin
From Paragraphs from a Day-Book by Marilyn Hacker
Homenaje A Sam Hamill by José Kozer
Tribute to Sam Hamill Translated from the Spanish by Raúl Sánchez
A Devotional for Sam Hamill: Habitude by Stephen Kuusisto
Interview with Sam Hamill by Paul E Nelson
Old Friend by Paul E Nelson
Letter to Sam Hamill by Paul E Nelson
A Simple Gift by William O’Daly
Habitation by Thomas H. Pruiksma
The Calling by Heidi Seaborn
A Pair of Hanging Scrolls: Landscape and Couplet of Chinese Verse (late 18th century)
by Ike Taiga by Rebecca Seiferle
Nine Bows for a Brother Monk by Karma Tenzing Wangchuk……

The Samthology will be launched Saturday, May 11, 2019, at 7pm at the Croatian Cultural Center, 801 5th Street in Old Town Anacortes.

Make It True meets Medusario is a mash-up of two previous anthologies. Medusario is a seminal documentation of the neobarroco school of Latin American poetry.From José Kozer’s essay THE NEO-BAROQUE: A CONVERGING IN LATIN AMERICAN POETRY:

A Neo-Baroque poet… tends not to stay within a given framework but rather, I would say, is all over the place. He deals in abrupt syntax, displacement, and a non-systematic system that can be found, mutatis mutandis, in the poetry of Olson and Zukofsky. The space of the Neo-Baroque poet is splintered. It has, of course, its own logic, a logic that includes, and at times prefers, the illogical, in the way an atheist includes God in his thoughts.

And from Matthew Trease’s brilliant introduction to Make it True meets Medusario:

The starting point was envisaged as a bringing together of the poetry communities represented by two earlier anthologies: Medusario : muestra de poesía latinoamericana (Fondo de Cultura Económica, 1996), an anthology of Latin American Neobarroco poets that Kozer had co-edited, and Make It True: Poetry from Cascadia (Leaf Press, 2015), a bioregional poetry anthology of which Nelson was a co-editor. In the mid-1990s, Medusario brought together a generation of Latin American poets who had been breaking with the work of forebearers like Pablo Neruda and Ernesto Cardenal, and instead drew a lineage that reflected more the neo-baroque tendencies of Cuban poet José Lezama Lima and Brazilian proto-concretist Haroldo De Campos. Much like Donald Allen’s groundbreaking New American Poetry did for post-war American poets, Medusario established a new potential lineage for Spanish and Portuguese speaking poets that included much of the poly-vocal and paratactic experiments of high Modernism along with the meter and imagery of English Metaphysical poets and the bards of the Spanish Golden Century Baroque.

Poets included in MmM:

Translated by Alejandro Carrillo and Dana Nelson.

NEO-BARROCO (Medusario) poets include: Carmen Berenguer, Marosa Di Giorgio, Roberto Echavarren, Eduardo Espina, Reynaldo Jiménez, Tamara Kamenszain, José Kozer, Pedro Marqués de Armas, Maurizio Medo, Néstor Perlongher, Soleida Ríos, Roger Santiváñeaz, and Raúl Zurita

CASCADIANS (Make It True) poets include: Stephen Collis, Elizabeth Cooperman, Sarah de Leeuw, Claudia Castro Luna, Nadine Maestas, Peter Munro, Paul E Nelson, John Olson, Shin Yu Pai, Clea Roberts, Cedar Sigo, Matthew Trease and Thomas Walton

There will also be a Seattle launch of Make it True meets Medusario, Sunday, May 12, at 3pm, at Elliott Bay Book Company, 1521 Tenth Avenue, Seattle, WA 98122.

Living Room at Cascadia Poetry Festival

The Cascadia Poetry Festival, May 9-12, 2019, in Anacortes, WA, at the Croatian Cultural Center features academic, democratic and performative components. The democratic component is Living Room a FREE and OPEN reading where people gather to read original work to each other. This year Living Room happens from 3-5pm on Friday and Saturday during the fest. Attend all festival events by purchasing a Gold Pass for $25 while supplies last. https://cpfanacortes.brownpapertickets.com/

And see the updated schedule here.

Cascadia Translation Panel

What AMAZING panels we’ll have at the next Cascadia Poetry Festival in Anacortes, May 9-12, 2019.

Saturday May 11

Shin Yu Pai

9am – Panel One – Cascadian Zen, facilitated by Dr. Jason Tetsuzen Wirth and Shin Yu Pai, Thomas Hitoshi Pruiksma and Courtney Hudak. Jason Wirth heads the Eco-Sangha at Seattle U and is author of Mountains, Rivers and the Great Earth: Reading Gary Snyder and Dōgen in an Age of Ecological Crisis. Hear an interview with him about that book here: https://www.paulenelson.com/2017/11/07/gary-snyder-dogen-jason-wirth-our-ecological-crisis/

A 2014 Stranger Genius Award nominee, Shin Yu Pai is the author of several books of poetry, including ENSO (Entre Rios Books, forthcoming), AUX ARCS (La Alameda, 2013), Adamantine (White Pine, 2010), and Equivalence (La Alameda, 2003). Her work has appeared in publications throughout the U.S., Japan, China, Taiwan, The United Kingdom, and Canada. She has been a featured presenter at national and international literary festivals including the Geraldine Dodge Poetry Festival and the Montreal Zen Poetry Festival. She has served as an artist in residence for Seattle Art Museum, Town Hall Seattle, and Pacific Science Center and is a former member of the Speakers Bureau for Humanities Washington. She lives and works in Bitter Lake. Please visit Shin Yu’s fascinating website.

Wiliam O’Daly

10:45am – Panel Two – Literary Translation as a Political Act: To Colonize or Recreate?
Literary translators do not simply translate the literal surface of a poem; they strive to embody the human experience—sensibility and sinew—of the original within the translation. To accomplish this, they must retain the integrity of their self-awareness, imagination, sensibility, and language as they actively lend those qualities to the original. This willful act of transmigration, including the host of choices translators must make, has political ramifications. The panel will explore how the translator can avoid colonizing the original poem in favor of recreating the fullest experience of it in a new body.

William O’Daly – Moderator, Ian Boyden, José Kozer, Claudia Castro Luna & Rebecca Seiferle.

Gold Passes on sale here: https://cpfanacortes.brownpapertickets.com/

The schedule in progress is here: http://cascadiapoetryfestival.org/cpf-anacortes-2019/

Steve Kuusisto Master Workshop at CPF-Anacortes

Gold Passes for the Cascadia Poetry Festival are on sale now at Brown Paper Tickets. The fest is a tribute to Sam Hamill, who died on April 14, 2018, and will start on the 76th anniversary of his birth, May 9, 2019. The festival schedule is here: http://cascadiapoetryfestival.org/cpf-anacortes-2019/ and includes three Sunday workshops, two of which are FREE to the first Gold Pass holders that register. The third is being facilitated by Sam’s close friend Steve Kuusisto:

9am Sunday: Stephen Kuusisto, (bio below) author of “Have Dog, Will Travel: A Poets Journey” will guide poets and prose writers on the techniques that help us write with clarity and honesty about animals. The aim is to avoid anthropomorphism and instead find ways to write with the real animal in mind. Cost $50. Limit 20 participants.

Workshop 2, 9-12N Sunday: Writing in the Woods. Tim McNulty and Bob Rose. Cost FREE to Gold Pass holders who are registered in advance. Limit 15 participants.

Workshop 3, 9-12N Sunday: Becoming Cascadian: Imagination of the Senses. Nadine Maestas and Jared Leising host a workshop on the Washington State Ferry. This two-hour generative workshop will engage your imagination through a sensory experience of Cascadia while riding the ferry to Friday Harbor and back. Participants will meet at the Anacortes terminal and purchase a ferry ticket. The workshop is open to the first 30 Gold Pass Members who register.

Stephen Kuusisto directs The Burton Blatt Institute’s  Interdisciplinary Programs in disability at Syracuse University where he holds a University Professorship. He is the author of the memoirs Planet of the Blind (a New York Times “Notable Book of the Year”) and Eavesdropping: A Memoir of Blindness and Listening and of the poetry collections Only Bread, Only Light,and Letters to Borges. His newest memoir, Have Dog, Will Travel: A Poet’s Journey is new from Simon & Schuster. A graduate of the Iowa Writer’s Workshop and a Fulbright Scholar, he has taught at the University of Iowa, Hobart & William Smith Colleges, and The Ohio State University. Professor Kuusisto has served as an advisor to the Metropolitan Museum and the Museum of Modern Art in New York and the National Endowment for the Arts in Washington DC and has appeared on numerous television and radio programs including The Oprah Winfrey Show; Dateline; All Things Considered; Morning Edition; Talk of the Nation; A & E; and Animal Planet. His essays have appeared in The New York Times; The Washington Post; Harper’s; The Reader’s Digest; and his daily blog “Planet of the Blind” is read globally by people interested in disability and contemporary culture. He is a frequent speaker in the US and abroad. His website is: www.stephenkuusisto.com

Make It True meets Medusario anthology

Make It True meets Medusario is a bilingual anthology was spawned by two previous anthologies and combined into one to initiate a dialog between Spanish language poets of the neo-barroco school, as organized by José Kozer and poets from the Cascadia bioregion, as organized by Paul E Nelson and Thomas Walton.

From the books’ introduction by Matthew Trease, the book is an effort to:

bring together poets from divergent languages, cultures, and aesthetics to create a… conversation… a fertile meeting place for ongoing ideas about poetry – something messy that might trouble the too-easy academic labels and the subsequent segregation those aesthetic and political divisions caused within the larger, global poetry community.

Poets included in the book from the neo-barroco (Medusario) side are: Carmen Berenguer, Marosa Di Giorgio, Roberto Echavarren, Eduardo Espina, Reynaldo Jiménez, Tamara Kamenszain, José Kozer, Pedro Marqués de Armas, Maurizio Medo, Soleida Ríos, Roger Santiváñez and Raúl Zurita. Cascadians (Make It True) include Stephen Collis, Elizabeth Cooperman, Sarah de Leeuw, Claudia Castro Luna, Nadine Maestas, Peter Munro, Paul E Nelson, John Olson, Shin Yu Pai, Clea Roberts, Cedar Sigo, Matthew Trease and Thomas Walton.

The book is to be launched May 2019, in Anacortes, Washington, at the Cascadia Poetry Festival and published by Pleasure Boat Studios. Festival Gold Passes go on sale March 9.