Tag: Humanities WA

Becoming Cascadian

I sat down with Paul Nelson, SPLAB founding director, to find out about the upcoming retreat SPLAB is bringing to the Cascadia region.

First, what is Cascadia?

Cascadia is a bioregion that begins in the south at Cape Mendocino, at the beginning of the Cascadia subduction zone, goes north to Mt. Logan and includes Yakutat, Alaska, and the eastern border is mostly the Continental Divide, except in the south where the Great Basin (and Ranges) bioregion cuts out a hunk of Oregon. The definitive maps are created by David McCloskey and available at his Cascadia Institute website.

What is the Becoming Cascadian retreat?

The retreat will be held in (mostly) the Rainier Beach neighborhood in Seattle on May 31 through June 3. It’s a community-building event designed for poets, artists and bioregionalists to gather, share strategies, discuss our role as humans in this time of ecological crisis and end-stage empire. We will also make connections and support one another in our efforts to create the deepest gestures in response to this situation and how that relates to Cascadia.

Paul, you say this is a retreat. What do you mean by retreat? What makes it different from a conference?

Attendance is limited; it’s designed to be a more intimate event. We have one keynote poet. Much of the event’s agenda will be developed organically. During the opening circle Friday night, participants will be given the opportunity to offer a breakout session of their own design. Scheduling will be done via a democratic process.

Tell me a little about the keynote speaker, Andrew Schelling.

Andrew has taught at Naropa Institute for 30 years. He’s a poet and translator who taught himself Arapaho and translates Sanskrit. There’s no one alive who understands the confluence of bioregionalism and poetics better than this man. This is a unique opportunity for participants to connect with a poet working at a very deep level with a renowned commitment to place.

What should I expect from the retreat?

Most of the retreat will be held in Rainier Beach, overlooking the lake. Thursday we sit in Zazen at St. Ignatius at Seattle U. (Optional). On Friday night, there will be a dinner and opening circle, with introductions, in Rainier Beach. That’s the time participants can propose breakout sessions. Saturday will be the breakout sessions and keynote interview/discussion. Sunday is a tour of Kubota Gardens with Zen monk Dr. Jason Tetsuzen Wirth, a closing circle, and a closing reading at Open Books in Seattle’s Wallingford neighborhood.

I see there are public events attached to this retreat. Which are they?

Three events will open to the public: the Zen meditation session at Seattle University’s St. Ignatius Temple, the keynote discussion/interview with Andrew Schelling at Redwing Café, and the closing reading at Open Books.

OK, how do I register?

Registration is limited, and advance registration is required. The retreat is $80, plus meals. To register, send $80 through PayPal to pen (at) splab (d0t) org by May 29, 2018. Participants will received a confirmation email with all the salient details.

I’m psyched! Where can I find a schedule and more information?

You can find it on our web page Becoming Cascadian.

One last question. If there is one thing you’d like participants to walk away with from the retreat, what would it be?

To have a deep experience of place and poetics. So much in this life is superficial.

Here are some words from Paul about what he finds exciting about the event — and a link to Andrew Schelling speaking at Seattle University on February 20.

by Lisa Fusch Krause

Thank you sponsors!

Reviews of CPF5, Tacoma 2017

Humanities WA

Some reviews of CPF5 (Tacoma, WA, Oct 12-15, 2017) by some participants:

I’ve been to many poetry festivals over the years, and the Cascadia Festival is one of the best at combining literary energy with explorations of environmental, political, historical, and sociological pursuits with a general celebration of poetry.  The invited poets offered a wonderful representation of the diversity of our bioregion—as did the poetics of the works shared.  There were youth events, Veteran events, “living room readings” (that featured festival poets and anyone from the community could share work in).  The WA historical piece embodied by the celebration of Richard Brautigan, the consistent return to thinking about poetry and the environment, the involvement of young poets, older poets:  really, I cannot articulate how generous and egalitarian and stimulating the festival is.  Truly, The Cascadia Poetry festival is a great thing for 

Tod Marshall Photo by Amy Sinisterra

Humanities WA and Arts WA to be a sponsor of—to put it simply, The Festival repped well and did both organizations proud!  I was glad to be there for it and am eager for the next one.

Tod Marshall
Washington Poet Laureate

 

…It was a weekend’s concentration of poetry, poetics, disaster, disability, old age, young age, woundedness, healing, gathering, dispersing, and energy-producing.  This was among the instabilities of the northwest coast Cascadian geography, and its history of conquest and adaptation.  In fact, adaptation seemed to be an underlying theme–a positive theme–of the festival.  Adaptation includes laughter, description, mourning, love, acknowledgement, and recognition.  There was great poetry at this festival and it was brilliantly and respectfully organized.  For myself, I also really appreciated being put up in a comfortable hotel room (with a view of Mt. Rainier) within walking distance of the venue, the venue itself (historical, dignified), and the courtesies and kindnesses extended by Paul and Dale and Bhakti and others working at the festival…  

thanks, and talk soon,

Sharon Thesen
Kelowna, BC

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Paul,

Thank you again for organizing the Cascadia event (a much needed injection of creative energy & community in these bleak times) and especially for getting Michael McClure on the state history museum stage. That was a great setting for a poet of his stature. 

Your (Persian Pony by Michael McClure) introduction is great, dude. It’s a marvelous distillation of the McClurean aesthetic & disposition. I’ve always admired your stunning clarity. One sentence in particular, “McClure’s poetic courage plumbs the depths of perception, achieves a precision of luminous details, a striking originality, and a range of expression form the cosmic to the microscopic,” is an excellent summation of McClure’s oceanic scope. Reading him always gives me a more acute sensation of being alive, having a physical presence especially, as well as a strong undercurrent transcendent force. Your intro encapsulates that quality with pith & mammalian warmth.

Painful to see Michael adjusting to what I assume is a recent hip replacement. Getting old sucks. But what a tour de force to get on stage and immediately begin reciting Chaucer from memory. Jesus, that’s amazing… 

It was also really nice talking with Bhakti.

John Olson

Plans are being made for additional iterations of the festival. Please subscribe to this blog’s weekly emails to keep up to date on developments.